Pushti Siddhant Ratna A I
Vivek Krushna ChaturBhakti,
Ja Pa SanyaNi Sevana II"
In pustimargiya cult, there is special importance of Shodash-Granth. It is called "Geetaji" of our cult, so it is also called "Vallabh-Geeta" (A composition of 16 treatise i.e. beginning from Shri Yamunashtakam to Seva Falam is also known as Vallabh Geeta by Vaishnavs). We can also name Shodash Granth as "Upnishad" because it has all extract of principles of pustimarg. This all volumes are like sixteen phases of moon.
The extraordinary divine speech of Shri Mahaprabhuji is like 16 different kind of ornaments. Since Shri Mahaprabhuji is another form of Shri Krishna (Shri Thakorji), his divine speech is also created by Shri Krishna, means it is created by God himself.
Though these 16 treatise were written independently and at different times, they are all connected/inter-related to each other.
The first volume is "Shri Yamunastakam". All Jivas in this world are bound to materialistic and physical world. Only by the divine grace of Shri Yamunaji, are they capable of achieving Shri Krishna. Therefore, Shri Yamunastakam is first.
In "Balbodh", he explained us for kinds of effort for achievement in life described in Vaidik scripture.
The basic principle of pustimarg - how to serve God is explained in "Sidhant Muktavali".
To explain three kinds of souls, "Pusti" (God’s favourite), "Pravahi" and "Maryada", he wrote "Pusti Pravah Maryada".
To give us a knowledge of how "Pusti Jiva" can be reattached to Shri Krishna by "Brahma Sambandh", he wrote "Siddhant Rahashya" (secrets of Pustimarg.)
Once we get "Brahma Sambandh", all our worries are taken away by Shri Krishna. To explain that Brahma Sambandhi Jiva should not have worry about this physical world and other spiritual world, he wrote volume of "Navratnam".
When one gets free of all worries, he should use this human body to serve Shri Krishna by devoting all his comfort, wealth and belongings which very well explained in "Antah Karan Prabodh" a teaching from within.
How to cultivate qualities of politeness, patience and total surrender to Shri Krshna is taught in "Vivek Dhairashraya".
In "Krishnashraya", he explained that why pustimargiya devotee has to surrender to Shri Krishna.
Shri Krishna is the only religion, materialism, salvation and deeds is explained in "Chatur Shloki".
How the devotees can be sublimed in our lives is explained in "Bhaktivardhini".
For eventual sublimation of devotees, we need to praise Shri Krishna and to listen about the life of Shri Krishna. Different aspects of listeners are explained in "Panch Padya".
Also, there different aspects and qualities of speakers which are very well defined in "Jalbhedh" volume. To feel (view) and experience the presence of almighty Shri Krishna, we need to appreciate the fact that we are separated from Him and feel the suffering of that separation.
A Pustimargiya devotee should not necessary be bothered by this physical and materialistic world. And this is very well explained and proved in "Sanyas Nirnaya" treatise composed by Shri Vallabhacharyaji.
This kind of devotee should use his or her human body only to serve in "Nirodh Lakshan" treatise.
What kind of reward and fruit of these services will be awarded by Shri Krshna is found in "Seva Falam" treatise.
First step in devotion is to conquer ourselves from within, which is achieved by Shri Yamunastakam. So, Shri Yamunastakam is first volume and in chronological order when we achieve everything (spiritually), Seva Falam (rewards of service) is the sixteenth and last treatise composed by Shri Vallabhacharya.
At this stage , the subject matter is sodas granth. First it is very intresting to know that from where and how Shri Vallabhacharyaji got the inspiration and to whom it is addressed. Hence let us first Quench our thirst of curiosity to knowabout the source. There are 12 Canto's of Shrimad Bhagwat and 4 Parts of Brahma Sutra. From the combination of these 16, we have received 16 treatises as a replica. There are 221 1/2 Hymns in Sodas Granth. Some where 1/2 Hymn is considered as whole Hymn.
Sr.No. | Treatise | Hymns | Inspiration | Addressed | Part |
1 | Shri Yamunashtakam | 9 | 5th Canto of Shrimad Bhagwat | Parmanand Dasji | Right Organ |
2 | Balbodh | 19 1/2 | 1st part of Brahma Sutra | Narayandas Kayastha | Mouth |
3 | Siddhant Muktavali | 21 | 2nd part of Brahma Sutra | Achyutdas sanodhiya | heart |
4 | Pushti Pravaha Maryada Bhed | 25 1/2 | 3rd Canto of Shrimad Bhagwat | ----- | Right Arm |
5 | Siddhant Rahasya | 8 1/2 | 6th Canto of Shrimad Bhagwat | Damodardas Harsaniji | Right Leg |
6 | Navratna | 9 | 9th Canto of Shrimad Bhagwat | Govind Dube | Left Thigh |
7 | Antahakaran Prabodh | 10 1/2 | 3rd part of Brahma Sutra | Himself | Navel |
8 | Vivek Dhairya Aashraya | 17 | 7th Canto of Shrimad Bhagwat | Aachyutdas Saraswat | left Arm |
9 | Krushnashraya | 11 | 12th Canto of Shrimad Bhagwat | Bullah Mishra | Left Leg |
10 | Chaturshloki | 4 | 4th Canto of Shrimad Bhagwat | Rana Vyas | Right Organ |
11 | Bhakti Vardhini | 11 | 8th Canto of Shrimad Bhagwat | Bhagwaandas Bhitariya | Right Thigh |
12 | Jalbhed | 21 | 2nd Canto of Shrimad Bhagwat | ----- | Throat |
13 | Panch Padhyani | 5 | 1st Canto of Shrimad Bhagwat | ----- | Left Organ |
14 | Sanyas Nirnaya | 22 | 11th Canto of Shrimad Bhagwat | Narhari Sanyasi | Face/Forehead |
15 | Niroadha Lakshan | 20 | 10th Canto of Shrimad Bhagwat | Raja Dube and Madho Dube | Head |
16 | Seva Falam | 7 1/2 | 4th Part of Brahma Sutra | Vidhnudas Chipaa | Left Organ |
2 comments:
jay jay shree gokulesh,
khub saras!
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